every one is certain

Had Lady Swiggs inquired into the character of the purchaser of old Dolly she might now have become conscious of the fact, that whatever comes of evil seldom does good. The money she had so struggled to get together to aid her in maintaining her hypocrisy, was the result of crime. Perhaps it were better the wretch purloined it, than that the fair name of a noble institution be stained with its acceptance. Atonement is too often sought to be purchased with the gold got of infamy.   The cause of this fainting being traced to Lady Swiggs' pocket book instead of her heart, the whole scene changes, Sister Slocum becomes as one dumb, the good fat man is seized with a nervous fit, the man in the spectacles hangs his head, and runs his fingers through his crispy hair, as Brother Spyke elongates his lean body, and is seen going into a melancholy mood, the others gathering round with serious faces. Lady Swiggs commences describing with great minuteness the appearance of Mr. Tom Toddleworth. That he is the person who carried off the money, every one is certain. "He is the man!" responds a dozen voices. And as many more volunteer to go in search of Mr. Detective Fitzgerald. Brother Spyke pricks up his courage, and proceeds to initiate his missionary labors by consulting Mr. Detective Fitzgerald, with whom he starts off in pursuit of Mr. Tom Toddleworth. Chapter 24  MR. SNIVEL ADVISES GEORGE MULLHOLLAND HOW TO MAKE STRONG LOVE     LET us leave for a time the pursuit with which we concluded the foregoing chapter, and return to Charleston. It is the still hour of midnight. There has been a ball at the fashionable house of the Flamingo, which still retains its name. In the great parlour we have before described, standing here and there upon massive tables with Egyptian marble-tops, are half-empty bottles of wine, decanters, tumblers, and viands of various descriptions. Bits of artificial flowers are strewn about the carpet, a shawl is seen thrown over one chair, a mantle over another; the light is half shut off-everything bears evidence of the gaieties of luxurious life, the sumptuous revel and the debauch. The gilded mirrors reflect but two faces, both hectic and moody of dissipation. George Mullholland and Mr. Snivel face each other, at a pier-table. Before them are several half filled bottles, from one of which Mr. Snivel fills George's glass.  

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