If his Uncle Andrew had overheard this

“Now if you can’t play with Catherine in peace like a decent boy just—stay by yourself. Look at some pictures. Read a book. But you be quiet. And good. Do you hear me?” “Yes’m.” “Very well.” She stood up and her joints snapped. “Come with me, Catherine,” she said. “Let’s bring your crayons.” And she helped Catherine gather up the crayons and the stubs from the window sill and from the carpet. Catherine’s face was still red but she was not crying any more. As she passed Rufus she gave him a glance filled with satisfaction, and he answered it with a glance of helpless malevolence. He listened towards upstairs. If his Uncle Andrew had overheard this, there would really be trouble. But there was no evidence that he had. Rufus felt weak in the knees and in the stomach. He went over to the chair beside the fireplace and sat down. It was mean to pester Catherine like that but he hadn’t wanted to do anything for her anyway. And why did she have to holler like that and bring Aunt Hannah running? He remembered the way her face got red and he knew that he had really been mean to her and he was sorry. But what did she holler for, like a regular crybaby? He would be very careful today, but sooner or later he sure would get back on her. Darn crybaby. Tattletale. The others really did pay him some attention, though. Anybody here ought to know, it’s him. His daddy got killed. Yeah you tell it. Come on and tell us. Just a chance in a million. A million trillion. Never even knowed, knew, what hit him. Shut yer Goddamn mouth. Ain’t you got no sense at all? Instantly killed. Concussion, that was it. Concussion of the brain. Knocked him crazy as a loon, bibblibblebble. Shut yer Goddam mouth. But there was something that made him feel wrong. Ole Tin Lizzie. What you get for driving a auto when you’re drunk, that’s what my dad says. Good ole whiskey. Something he did. Ole Tin Lizzie just rolled back down on top of him whomp. Didn’t either. He didn’t say it didn’t. Not clear enough. Heck, how can that kill anybody? Did, though. Just a chance in a million. Million trillion. Instantly killed. Worse than that, he did. What. How would your daddy like it? He would like me to be with them without them teasing; looking up to me. How would your daddy like it? Like what? Going out in the street like that when he is dead. Out in the street like what?

just as mad as a hornet

“Quit it!” Catherine yelled, and all of a sudden she was crying. He heard his Aunt Hannah’s sharp voice from the kitchen: “Rufus?” He was furious with Catherine. “Crybaby,” he whispered with cold hatred: “Tattletale!” And there was Aunt Hannah at the door, just as mad as a hornet. “Now, what’s the matter? What have you done to her!” She walked straight at him. It wasn’t fair. How did she know he was doing anything? With a feeling of real righteousness he talked back: “I didn’t do one single thing to her. She was just messing everything up on her picture and I tried to help her like you told me to and all of a sudden she started to cry.” “What did he do, Catherine?” “He wouldn’t let me alone.” “Why good night, I never even touched you and you’re a liar if you say I did!” All of a sudden he felt himself gripped by the shoulders and shaken and he turned his rattling head from his sister to look into his Aunt Hannah’s freezing glare. “Now you just listen to me,” she said. “Are you listening?” she sputtered. “Are you listening?” she said still more intensely. “Yes,” he managed to get out, though the word was all shaken up. “I don’t want to spank you on this day of all days, but if I hear you say one more rough thing like that to your sister I’ll give you a spanking you’ll remember to your dying day, do you hear me? Do you hear me?” “Yes.” “And if you tease her or make her cry just one more time I’ll—I’ll turn the whole matter over to your Uncle Andrew and we’ll see what he’ll do about it. Do you want me to call him? He’s upstairs this minute! Shall I call him?” She stopped shaking him and looked at him. “Shall I?” He shook his head; he was terrified. “All right, but this is my last warning. Do you understand?” “Yes’m.”

be wanted to be my himself and see if

Catherine sat in the little chair by the side window with a picture book on her knees. Her crayons were all over the window sill and she was working intently with an orange crayon. She looked up when he came in and looked down again and kept on working. He did not want to help her, be wanted to be my himself and see if he could find the paper with the names in it, but he felt that he ought to try to be good, for by now he felt a dark uneasiness about something, he was not quite sure what, that he had done. He walked over to her. “I’ll help you,” he said. “No,” Catherine said, without even looking up. It was the Mother Goose book and with her orange crayon she was scrawling all over the cow which jumped over the moon, inside and outside the lines of the cow. “Aunt Hannah says to,” he said, disgusted to see what she was doing to the cow. “No,” Catherine said, and again she did not look up or stop scrawling for a second. “That ain’t no color for a cow,” he said. “Whoever saw an orange cow?” She made no reply, but he could see that her face was getting red. “Besides, you’re not even coloring inside the cow,” he said. “Just look at that. You’re just running that crayon around all over the place and it isn’t even the right color.” She bore down even harder and harder with the crayon and pushed it in a wider and wider tangle of lines and all of a sudden it snapped and the long part rolled to the floor. “See now, you busted it,” Rufus said. “Leave me alone!” She tried to draw with the stub of the crayon but it was too short, and the paper got in the way. She looked along the window sill and selected a brown crayon. “What you goana do with that brown one?” Rufus said. “You already got all that orange all over everything, what you goana do with that brown one?” Catherine took the brown crayon and made a brutal tangle of dark lines all over the orange lines. “Now all you did is just spoil it,” Rufus said. “You don’t know how to draw!”

He tried to make himself small but just

In the paper! He looked for it beside the door, but it was not there. He listened carefully, but he could not bear anything. He let himself quietly through the front door, at the moment his Aunt Hannah came from the sitting room into the front hall. She wore a cloth over her hair and in her hands she was carrying the smoking stand. She did not see him at first and he saw how fierce and lonely her face looked. He tried to make himself small but just then she wheeled on him, her lenses flashing, and exclaimed, “Rufus Follet, where on earth have you been!” His stomach quailed, for her voice was so angry it was as if it were crackling with sparks. “Outdoors.” “Where, outdoors! I’ve been looking for you all over the place.” “Just out. Back in the alley.” “Didn’t you hear me calling you?” He shook his head. “I shouted until my voice was hoarse.” He kept shaking his head. “Honest,” he said. “Now listen to me carefully. You mustn’t go outdoors today. Stay right here inside this house, do you understand?” He nodded. He felt suddenly that he had done an awful thing. “I know it’s hard to,” she said more gently, “but you’ve got to. Help Catherine with her coloring. Read a book. You promise?” “Yes’m.” “And don’t do anything to disturb your mother.” “No’m.” She went on down the hall and he watched her. What was she doing with the pipes and the ash trays, he wondered. He considered sneaking behind her, for he knew that she could not see at all well, yet he would be sure to get caught, for her hearing was very sharp. All the same, he sneaked along to the back of the hall and watched her empty the ashes into the garbage pail and rap out the pipes against its rim. Then she stood with the pipes in her hand, looking around uncertainly; finally she put the pipes and the ash tray on the cupboard shelf, and set the smoking stand in the corner of the kitchen behind the stove. He went back along the hall on tiptoe and into the sitting room.

It had not occurred to him that way

This account of it was false, Rufus was sure, but it seemed to him more exciting than his own, and more creditable to his father and to him, and nobody could question, scornfully, whether that could kill, as they could of just a blow on the chin; so he didn’t try to contradict. He felt that he was lying, and in some way being disloyal as well, but he said only, “He was instantly killed. He didn’t have to feel any pain.” “Never even knowed what hit him,” a boy said quietly. “That’s what my dad says.” “No,” Rufus said. It had not occurred to him that way. “I guess he didn’t.” Never even knowed what hit him. Knew. “Reckon that ole Tin Lizzie is done for now. Huh?” He wondered if there was some meanness behind calling it an old Tin Lizzie. “I guess so,” he said. “Good ole waggin, but she done broke down.” His father sang that. “No more joy rides in that ole Tin Lizzie, huh Rufus?” “I guess not,” Rufus replied shyly. He began to realize that for some moments now a bell, the school bell, had been weltering on the dark gray air; he realized it because at this moment the last of its reverberations were fading. “Last bell,” one of the boys said in sudden alarm. “Come on, we’re goana git hell,” another said; and within another second Rufus was watching them all run dwindling away up the street, and around the corner into Highland Avenue, as fast as they could go, and all round him the morning was empty and still. He stood still and watched the corner for almost half a minute after the fattest of them, and then the smallest, had disappeared; then he walked slowly back along the alley, hearing once more the sober crumbling of the cinders under each step, and up through the narrow side yard between the houses, and up the steps of the front porch.

and he was hurrying as fast as he could to

Rufus said, quietly, “He was coming home from Grampa’s last night, Grampa Follet. He’s very sick and Daddy had to go up way in the middle of the night to see him, and he was hurrying as fast as he could to get back home because he was so late. And there was a cotter pin worked loose.” “What’s a cotter pin?” “Shut up.” “A cotter pin is what holds things together underneath, that you steer with. It worked loose and fell out so that when one of the front wheels hit a loose rock it wrenched the wheel and he couldn’t steer and the auto ran down off the road with an awful bump and they saw where the wheel you steer with hit him right on the chin and he was instantly killed. He was thrown all the way out of the auto and it ran up an eight-foot emb—embackment and then it rolled back down and it was upside down beside him when they found him. There was not a mark on his body. Only a little tiny blue mark right on the end of the chin and another on his lip.” In the silence he could see the auto upside down with its wheels in the air and his father lying beside it with the little blue marks on his chin and on his lip. “Heck,” one of them said, “how can that kill anybody?” He felt a kind of sullen stirring among the others, and he felt that he was not believed, or that they did not think very well of his father for being killed so easily. “It was just exactly the way it just happened to hit him, Uncle Andrew says. He says it was just a chance in a million. It gave him a concush, con, concush—it did something to his brain that killed him.” “Just a chance in a million,” one of the older boys said gravely, and another gravely nodded. “A million trillion,” another said. “Knocked him crazy as a loon,” another cried, and with a waggling forefinger he made a rapid blubbery noise against his loose lower lip. “Shut yer Goddamn mouth,” an older boy said coldly. “Ain’t you got no sense at all?” “Way I heard it, ole Tin Lizzie just rolled right back on top of him whomp.”

an older boy was saying

“I don’t know nothing about no chin,” the boy whose father saw it in the paper was saying. “Way I heard it he was a-drivin along in his ole Tin Lizzie and he hit a rock and ole Tin Lizzie run off the road and showed him out and run up a eight-foot bank and turned over and over and fell back down on top of him whomp.” “How do you know?” an older boy was saying. “You wasn’t there. Anybody here knows it’s him.” And he pointed at Rufus and Rufus was startled from his revery. “Why?” asked the boy who had just come up. “Cause it’s his daddy,” one of them explained. “It’s my daddy,” Rufus said. “What happened?” asked still another boy, at the fringe of the group. “My daddy got killed,” Rufus said. “His daddy got killed,” several of the others explained. “My daddy says he bets he was drunk.” “Good ole whiskey!” “Shut up, what’s your daddy know about it.” “Was he drunk?” “No,” Rufus said. “No,” two others said. “Let him tell it.” “Yeah, you tell it.” “Anybody here ought to know, it’s him.” “Come on and tell us.” “Good ole whiskey.” “Shut your mouth.” “Well come on and tell us, then.” They became silent and all of them looked at him. Rufus looked back into their eyes in the sudden deep stillness. A man walked by, stepping into the gutter to skirt them.

for two other boys had come up and

“He was instantly killed,” Rufus began, and expected to go ahead and correct some of the details of the account, but nobody seemed to hear him, for two other boys had come up and just as he began to speak one of them said, “Your daddy got his name in the paper didn he, and you too,” and he saw that now all the boys looked at him with new respect. “He’s dead,” he told them. “He got killed.” “That’s what my daddy says,” one of them said, and the other said, “What you get for driving a auto when you’re drunk, that’s what my dad says,” and the two of them looked gravely at the other boys, nodding, and at Rufus. “What’s drunk?” Rufus asked. “What’s drunk?” one of the boys mocked incredulously: “Drunk is fulla good ole whiskey”; and he began to stagger about in circles with his knees weak and his head lolling. “At’s what drunk is.” “Then he wasn’t,” Rufus said. “How do you know?” “He wasn’t drunk because that wasn’t how he died. The wheel hit a rock and the other wheel, the one you steer with, just hit him on the chin, but it hit him so hard it killed him. He was instantly killed.” “What’s instantly killed?” one of them asked. “What do you care?” another said. “Right off like that,” an older boy explained, snapping his fingers. Another boy joined the group. Thinking of what instantly meant, and how his father’s name was in the paper and his own too, and how he had got killed, not just died, he was not listening to them very clearly for a few moments, and then, all of a sudden, he began to realize that he was the center of everything and that they all knew it and that they waited to hear him tell the true account of it.

said the boy who had spoken

Of the first three who came up, two merely looked at him and the third said, “Huh! Betcha he ain’t”; and Rufus, astounded that they did not know and that they should disbelieve him, said, “Why he is so!” “Where’s your satchel at?” said the boy who had spoken. “You’re just making up a lie so you can lay out of school.” “I am not laying out,” Rufus replied. “I was going to school and my Aunt Hannah told me I didn’t have to go to school today or tomorrow or not till—not for a few days. She said I mustn’t. So I am not laying out. I’m just staying out.” And another of the boys said, “That’s right. If his daddy is dead he don’t have to go back to school till after the funerl.” While Rufus had been speaking two other boys had crossed over to join them and now one of them said, “He don’t have to. He can lay out cause his daddy got killed,” and Rufus looked at the boy gratefully and the boy looked back at him, it seemed to Rufus, with deference. But the first boy who had spoken said, resentfully, “How do you know?” And the second boy, while his companion nodded, said, “Cause my daddy seen it in the paper. Can’t your daddy read the paper?” The paper, Rufus thought; it’s even in the paper! And he looked wisely at the first boy. And the first boy, interested enough to ignore the remark against his father, said, “Well how did he get killed, then?” and Rufus, realizing with respect that it was even more creditable to get killed than just to die, took a deep breath and said, “Why, he was ...”; but the boy whose father had seen it in the paper was already talking, so he listened, instead, feeling as if all this were being spoken for him, and on his behalf, and in his praise, and feeling it all the more as he looked from one silent boy to the next and saw that their eyes were constantly on him. And Rufus listened, too, with as much interest as they did, while the boy said with relish, “In his ole Tin Lizzie, that’s how. He was driving along in his ole Tin Lizzie and it hit a rock and throwed him out in the ditch and run up a eight-foot bank and then fell back and turned over and over and landed right on top of him whomph and mashed every bone in his body, that’s all. And somebody come and found him and he was dead already time they got there, that’s how.”

until he came near the sidewalk

He thought of the way they teased him and did things to him, and how mad his father got when he just came home. He thought how different it would be today if he only didn’t have to stay home from school. He let himself out again and stole back between the houses to the alley, and walked along the alley, listening to the cinders cracking under each step, until he came near the sidewalk. He was not in front of his own home now, or even on Highland Avenue; he was coming into the side street down from his home, and he felt that here nobody would identify him with his home and send him back to it. What he could see from the mouth of the alley was much less familiar to him, and he took the last few steps which brought him out onto the sidewalk with deliberation and shyness. He was doing something he had been told not to do. He looked up the street and he could see the corner he knew so well, where he always met the others so unhappily, and, farther away, the corner around which his father always disappeared on the way to work, and first appeared on his way home from work. He felt it would be good luck that he would not be meeting them at that corner. Slowly, uneasily, he turned his head, and looked down the side street in the other direction; and there they were: three together, and two along the far side of the street, and one alone, farther off, and another alone, farther off, and, without importance to him, some girls here and there, as well. He knew the faces of all of these boys well, though he was not sure of any of their names. The moment he saw them all he was sure they saw him, and sure that they knew. He stood still and waited for them, looking from one to another of them, into their eyes, and step by step at their several distances, each of them at all times looking into his eyes and knowing, they came silently nearer. Waiting, in silence, during those many seconds before the first of them came really near him, he felt that it was so long to wait, and be watched so closely and silently, and to watch back, that he wanted to go back into the alley and not be seen by them or by anybody else, and yet at the same time he knew that they were all approaching him with the realization that something had happened to him that had not happened to any other boy in town, and that now at last they were bound to think well of him; and the nearer they came but were yet at a distance, the more the gray, sober air was charged with the great energy and with a sense of glory and of danger, and the deeper and more exciting the silence became, and the more tall, proud, shy and exposed he felt; so that as they came still nearer he once again felt his face break into a wide smile, with which he had nothing to do, and, feeling that there was something deeply wrong in such a smile, tried his best to quieten his face and told them, shyly and proudly, “My daddy’s dead.”

I was asleep and now he

“What was that you said, sonny?” he asked; he was frowning slightly. “My daddy’s dead,” Rufus said, expectantly. “You mean that sure enough?” the man asked. “He died last night when I was asleep and now he can’t come home ever any more.” The man looked at him as if something hurt him. “Where do you live, sonny?” “Right here”; he showed with his eyes. “Do your folks know you out here wandern round?” He felt his stomach go empty. He looked frankly into his eyes and nodded quickly. The man just looked at him and Rufus realized: He doesn’t believe me. How do they always know? “You better just go on back in the house, son,” he said. “They won’t like you being out here on the street.” He kept looking at him, hard. Rufus looked into his eyes with reproach and apprehension, and turned in at his walk. The man still stood there. Rufus went on slowly up his steps, and looked around. The man was on his way again but at the moment Rufus looked around, he did too, and now he stopped again. He shook his head and said, in a friendly voice which made Rufus feel ashamed, “How would your daddy like it, you out here telling strangers how he’s dead?” Rufus opened the door, taking care not to make a sound, and stepped in and silently closed it, and hurried into the sitting room. Through the curtains he watched the man. He still stood there, lighting a cigarette, but now he started walking again. He looked back once and Rufus felt, with a quailing of shame and fear, he sees me; but the man immediately looked away again and Rufus watched him until he was out of sight. How would your daddy like it?

they did not cross the street to him or even say hello

Arthur and Alvin Tripp came down their front steps and along the far sidewalk and now he was sure, and came down his own front steps and halfway out to the sidewalk, but then he stopped, for now, although both of them looked across into his eyes, and he into theirs, they did not cross the street to him or even say hello, but kept on their way, still looking into his eyes with a kind of shy curiosity, even when their heads were turned almost backwards on their necks, and he turned his own head slowly, watching them go by, but when he saw that they were not going to speak he took care not to speak either. What’s the matter with them, he wondered, and still watched them; and even now, far down the street, Arthur kept turning his head, and for several steps Alvin walked backwards. What are they mad about? Now they no longer looked around, and now he watched them vanish under the hill. Maybe they don’t know, he thought. Maybe the others don’t know, either. He came out to the sidewalk. Maybe everybody knew. Or maybe he knew something of great importance which nobody else knew. The alternatives were not at all distinct in his mind; he was puzzled, but no less proud and expectant than before. My daddy’s dead, he said to himself slowly, and then, shyly, he said it aloud: “My daddy’s dead.” Nobody in sight seemed to have heard; he had said it to nobody in particular. “My daddy’s dead,” he said again, chiefly for his own benefit. It sounded powerful, solid, and entirely creditable, and he knew that if need be he would tell people. He watched a large, slow man come towards him and waited for the man to look at him and acknowledge the fact first, but when the man was just ahead of him, and still did not appear even to have seen him, he told him, “My daddy’s dead,” but the man did not seem to hear him, he just swung on by. He took care to tell the next man sooner and the man’s face looked almost as if he were dodging a blow but he went on by, looking back a few steps later with a worried face; and after a few steps more he turned and came slowly back.

and he knew that on this day everybody would

“I can stay out of school?” “Of course you can. You must. Today and tomorrow as well and—for a sufficient time. A few days. Now put up your things, and stay right in this house, child.” He looked at her and said to himself: but then they can’t see me; but he knew there was no use begging her; already she was busy with the dishes again. He went back along the hall towards the hat rack. In the first moment he had been only surprised and exhilarated not to have to go to school, and something of this sense of privilege remained, but almost immediately he was also disappointed. He could now see vividly how they would all look up when he came into the schoolroom and how the teacher would say something nice about his father and about him, and he knew that on this day everybody would treat him well, and even look up to him, for something had happened to him today which had not happened to any other boy in school, any other boy in town. They might even give him part of their lunches. He felt even more profoundly empty and idle than before. He laid down his satchel on the seat of the hat rack, but he kept his hat on. She’ll spank me, he thought. Even worse, he could foresee her particular, crackling kind of anger. I won’t let her find out, he told himself. Taking great care to be silent, he let himself out the front door.   The air was cool and gray and here and there along the street, shapeless and watery sunlight strayed and vanished. Now that he was in this outdoor air he felt even more listless and powerful; he was alone, and the silent, invisible energy. was everywhere. He stood on the porch and supposed that everyone he saw passing knew of an event so famous. A man was walking quickly up the street and as Rufus watched him, and waited for the man to meet his eyes, he felt a great quiet lifting within him of pride and of shyness, and he felt his face break into a smile, and then an uncontrollable grin, which he knew he must try to make sober again; but the man walked past without looking at him, and so did the next man who walked past in the other direction. Two schoolboys passed whose faces he knew, so he knew that they must know his, but they did not even seem to see him.

but it was filled with a noiseless and

When breakfast was over he wandered listlessly into the sitting room and looked all around, but he did not see any place where he would like to sit down. He felt deeply idle and empty and at the same time gravely exhilarated, as if this were the morning of his birthday, except that this day seemed even more particularly his own day. There was nothing in the way it looked which was not ordinary, but it was filled with a noiseless and invisible kind of energy. He could see his mother’s face while she told them about it and hear her voice, over and over, and silently, over and over, while he looked around the sitting room and through the window into the street, words repeated themselves, He’s dead. He died last night while I was asleep and now it was already morning. He has already been dead since way last night and I didn’t even know until I woke up. He has been dead all night while I was asleep and now it is morning and I am awake but he is still dead and he will stay right on being dead all afternoon and all night and all tomorrow while I am asleep again and wake up again and go to sleep again and he can’t come back home again ever any more but I will see him once more before he is taken away. Dead now. He died last night while I was asleep and now it is already morning. A boy went by with his books in a strap. Two girls went by with their satchels. He went to the hat rack and took his satchel and his hat and started back down the hall to the kitchen to get his lunch; then he remembered his new cap. But it was upstairs. It would be in Mama’s and Daddy’s room, he could remember when she took it off his head. He did not want to go in for it where she was lying down and now he realized, too, that he did not want to wear it. He would like to tell her good-bye before he went to school, but he did not want to go in and see her lying down and looking like that. He kept on towards the kitchen. He would tell Aunt Hannah good-bye instead. She was at the sink washing dishes and Catherine sat on a kitchen chair watching her. He looked all around but he could not see any lunch. I guess she doesn’t know about lunch, he reflected. She did not seem to realize that he was there so, after a moment, he said, “Good-bye.” “What-is-it?” she said and turned her lowered head, peering. “Why, Rufus!” she exclaimed, in such a tone that he wondered what he had done. “You’re not going to school,” she said, and now he realized that she was not mad at him.

but quickly realized that the child meant

“Do you see, child?” Catherine was looking at her very seriously. “Of course you don’t, God bless you”; she squeezed her hand. “Don’t ever try too hard to understand, child. Just try to understand it’s so. He’d come if he could but he simply can’t because God wants him with Him. That’s all.” She kept her hand over Catherine’s a little while more, while Rufus realized much more clearly than before that he really could not and would not come home again: because of God. “He would if he could but he can’t,” Catherine finally said, remembering a joking phrase of her mother’s. Hannah, who knew the joking phrase too, was startled, but quickly realized that the child meant it in earnest, “That’s it,” she said gratefully. But he’ll come once more, anyway, Rufus realized, looking forward to it. Even if he is asleep. “What was it you wanted to ask, Rufus?” he heard his aunt say. He tried to remember and remembered. “What’s kuh, kuhkush, kuh ... ?” “Con-cus-sion, Rufus. Concus-sion of the brain. That’s the doctor’s name for what happened. It means, it’s as if the brain were hit very hard and suddenly, and joggled loose. The instant that happens, your father was—he ...” “Instantly killed.” She nodded. “Then it was that, that put him to sleep.” “Hyess.” “Not God.” Catherine looked at him, bewildered.

than a bountiful harvest

Things Are Not So Bright As They Seem THE following morning broke forth bright and serene. Marston and his guests, after passing a pleasant night, were early at breakfast. When over, they joined him for a stroll over the plantation, to hear him descant upon the prospects of the coming crop. Nothing could be more certain, to his mind, than a bountiful harvest. The rice, cotton, and corn grounds had been well prepared, the weather was most favourable, he had plenty of help, a good overseer, and faithful drivers. "We have plenty,-we live easy, you see, and our people are contented," he says, directing his conversation to the young Englishman, who was suspected of being Franconia's friend. "We do things different from what you do in your country. Your countrymen will not learn to grow cotton: they manufacture it, and hence we are connected in firm bonds. Cotton connects many things, even men's minds and souls. You would like to be a planter, I know you would: who would not, seeing how we live? Here is the Elder, as happy a fellow as you'll find in forty. He can be as jolly as an Englishman over a good dinner: he can think with anybody, preach with anybody!" Touching the Elder on the shoulder, he smiles, and with an insinuating leer, smooths his beard. "I am at your service," replies the Elder, folding his arms. "I pay him to preach for my nigger property,-I pay him to teach them to be good. He preaches just as I wants him to. My boys think him a little man, but a great divine. You would like to hear the Elder on Sunday; he's funny then, and has a very funny sermon, which you may get by heart without much exertion." The young man seems indifferent to the conversation. He had not been taught to realise how easy it was to bring religion into contempt. "Make no grave charges against me, Marston; you carry your practical jokes a little too far, Sir. I am a quiet man, but the feelings of quiet men may be disturbed." The Elder speaks moodily, as if considering whether it were best to resent Marston's trifling sarcasm. Deacon Rosebrook now interceded by saying, with unruffled countenance, that the Elder had but one thing funny about him,-his dignity on Sundays: that he was, at times, half inclined to believe it the dignity of cogniac, instead of pious sentiment.

The inquisitive and affectionate nature of

"Gi'h-e-you!" she exclaimed. "If young missus aint nappin' just so nice! I likes to cotch 'em just so;" and setting her tray upon a stand, she views Franconia intently, and in the exuberance of her feelings seats herself in front of her chair, fanning her with the palmetto. The inquisitive and affectionate nature of the good old slave was here presented in its purity. Nothing can be stronger, nothing show the existence of happy associations more forcibly. The old servant's attachment is proverbial,-his enthusiasm knows no bounds,-Mas'r's comfort absorbs all his thoughts. Here, Aunt Rachel's feelings rose beyond her power of restraint: she gazed on her young missus with admiration, laughed, fanned her more and more; then grasping her little jewelled hand, pressed it to her spacious mouth and kissed it. "Young Missus! Franconia, I does lub ye so!" she whispers. "Why, Aunt Rachel!" ejaculated Franconia, starting suddenly: "I am glad you wakened me, for I dreamed of trouble: it made me weak-nervous. Where is Clotilda?" And she stared vacantly round the room, as if unconscious of her position. "Guess 'e aint 'bout nowhere. Ye see, Miss, how she don't take no care on ye,-takes dis child to stir up de old cook, when ye comes to see us." And stepping to the stand she brings the salver; and in her excitement to serve Missus, forgets that the coffee is cold. "Da'h he is; just as nice as 'em get in de city. Rachel made 'em!" "I want Clotilda, Rachel; you must bring her to me. I was dreaming of her and Annette; and she can tell dreams-" The old slave interrupts her. "If Miss Franconia hab had dream, 'e bad, sartin. Old Mas'r spoil dat gal, Clotilda,-make her tink she lady, anyhow. She mos' white, fo'h true; but aint no better den oder nigger on de plantation," she returns. Franconia sips her coffee, takes a waf from the plate as the old servant holds it before her, and orders Dandy to summon Clotilda.

there inculcated had outgrown much of

Franconia had been educated at the north, in a land where--God bless the name--Puritanism is not quite extinct; and through the force of principles there inculcated had outgrown much of that feeling which at the south admits to be right what is basely wrong. She hesitated to reproach Marston with the bad effect of his life, but resolved on endeavouring to enlist Clotilda's confidence, and learn how far her degraded condition affected her feelings. She saw her with the same proud spirit that burned in her own bosom; the same tenderness, the same affection for her child, the same hopes and expectations for the future, and its rewards. The question was, what could be done for Clotilda? Was it better to reason with her,-to, if possible, make her happy in her condition? Custom had sanctioned many unrighteous inconsistencies: they were southern, nothing more! She would intercede with her Uncle, she would have him sign free papers for Clotilda and her child; she saw a relationship which the law could not disguise, though it might crush out the natural affections. With these thoughts passing in her mind, her imagination wandered until she dropped into the sleep we have described. There she slept, the blushes suffusing her cheeks, until old Aunt Rachel, puffing and blowing like an exhausting engine, entered the room. Aunty is the pink of a plantation mother: she is as black as the blackest, has a face embodying all the good-nature of the plantation, boasts of her dimensions, which she says are six feet, well as anybody proportioned. Her head is done up in a flashy bandana, the points nicely crosslain, and extending an elaborate distance beyond her ears, nearly covering the immense circular rings that hang from them. Her gingham dress, starched just so, her whitest white apron, never worn before missus come, sets her off to great advantage. Aunty is a good piece of property-tells us how many hundred dollars there is in her-feels that she has been promoted because Mas'r told somebody he would not take a dollar less for her. She can superintend the domestic affairs of the mansion just as well as anybody. In one hand she bears a cup of orange-grove coffee, in the other a fan, made of palmetto-leaves.

the world has got to be so very wicked

Its all doubtful! doubtful! doubtful! There is Elder Pemberton Praiseworthy; he preaches, preaches, preaches!--his preaching is to live, not to die by. I do pity those poor negroes, who, notwithstanding their impenetrable heads, are bored to death every Sunday with that selfsame sermon. Such preaching, such strained effort, such machinery to make men pious,--it's as soulless as a well. I don't wonder the world has got to be so very wicked, when the wickedness of the slavery church has become so sublime. And there's Uncle, too,--he's been affected just in that way; hearing pious discourses to uphold that which in his soul he knew to be the heaviest wickedness the world groaned under, he has come to look upon religion as if it were a commodity too stale for him. He sees the minister of God's Word a mere machine of task, paid to do a certain amount of talking to negroes, endeavouring to impress their simple minds with the belief that it is God's will they should be slaves. And this is all for necessity's sake!" In this musing mood she sits rocking in her chair, until at length, overcome with the heat, she reclines her head against the cushion, resigning herself to the soothing embrace of sweet sleep. The moon's silver rays were playing on the calm surface of the river, the foliage on its banks seemed bathed in quiet repose, the gentle breeze, bearing its balmy odours, wafted through the arbour of oaks, as if to fan her crimson cheeks; the azalia and magnolia combined their fragrance, impregnating the dew falling over the scene, as if to mantle it with beauty. She slept, a picture of southern beauty; her auburn tresses in undulating richness playing to and fro upon her swelling bosom,-how developed in all its delicacy!-her sensitive nature made more lovely by the warmth and generosity of her heart. Still she slept, her youthful mind overflowing with joy and buoyancy: about her there was a ravishing simplicity more than earthly: a blush upon her cheek became deeper,-it was the blush of love flashing in a dream, that tells its tale in nervous vibrations, adding enchantment to sleeping voluptuousness;-and yet all was sacred, an envied object no rude hand dare touch!

how I should like to know my strange history

"You must not be naughty," she says; "those black imps you play with around Aunt Rachel's cabin teach you wrong. You must be careful with her, Clotilda; never allow her to such things to white people: she may use such expressions before strangers,-which would be extremely painful-" "It seems too plain: if there be no social sin, why fear the degradation?" she quietly interrupts. "You cannot keep it from the child. O, how I should like to know my strange history, Franconia,-to know if it can be that I was born to such cruel misfortunes, such bitter heart-achings, such gloomy forebodings. If I were, then am I content with my lot." Franconia listened attentively, saw the anguish that was bursting the bounds of the unhappy woman's feelings, and interrupted by saying, "Speak of it no more, Clotilda. Take your child; go to your cabin. I shall stay a few days: to-morrow I will visit you there." As she spoke, she waved her hand, bid Clotilda good night, kissing Annette as she was led down stairs. Now alone, she begins to contemplate the subject more deeply. "It must be wrong," she says to herself: "but few are brought to feel it who have the power to remove it. The poor creature seems so unhappy; and my feelings are pained when they tell me how much she looks like me--and it must be so; for when she sat by my side, looking in the glass the portrait of similarity touched my feelings deeply. 'Tis not the thing for Uncle to live in this way. Here am I, loved and beloved, with the luxury of wealth, and friends at my pleasure; I am caressed: she is but born a wretch to serve my Uncle's vanity; and, too, were I to reproach him, he would laugh at what he calls our folly, our sickly sensitiveness; he would tell me of the pleasures of southern life, southern scenery, southern chivalry, southern refinement;--yes, he would tell me how it were best to credit the whole to southern liberality of custom:--so it continues! There is a principle to be served after all: he says we are not sent into the world to excommune ourselves from its pleasures. This may be good logic, for I own I don't believe with those who want the world screwed up into a religious vice; but pleasure is divided into so many different qualities, one hardly knows which suits best now-a-days. Philosophers say we should avoid making pleasure of that which can give pain to others; but philosophers say so many things, and give so much advice that we never think of following. Uncle has a standard of his own. I do, however, wish southern society would be more circumspect, looking upon morality in its proper light.

it with her jewelled fingers

"All is not truth that is told for such," Clotilda interrupts Franconia. "If I were black, my life would have but one stream: now it is terrible with uncertainty. As I am, my hopes and affections are blasted." "Sit down, Clotilda," rejoins Franconia, quickly. Clotilda, having lavished her skill on Franconia's hair, seats herself by her side. Franconia affectionately takes her tapering hand and presses it with her jewelled fingers. "Remember, Clotilda," she continues, "all the negroes on the plantation become unhappy at seeing you fretful. It is well to seem happy, for its influence on others. Uncle will always provide for Annette and you; and he is kind. If he pays more attention to Ellen at times, take no notice of it. Ellen Juvarna is Indian, moved to peculiarities by the instincts of her race. Uncle is imprudent, I admit; but society is not with us as it is elsewhere!" "I care not so much for myself," speaks the woman, in a desponding voice; "it is Annette; and when you spoke of her you touched the chord of all my troubles. I can endure the sin forced upon myself; but, O heavens! how can I butcher my very thoughts with the unhappy life that is before her? My poor mother's words haunt me. I know her feelings now, because I can judge them by my own-can see how her broken heart was crushed into the grave! She kissed my hand, and said, 'Clotilda, my child, you are born to a cruel death. Give me but a heart to meet my friends in judgment!'" The child with the flaxen hair, humming a tune, came scampering up the stairs into the room. It recognises Franconia, and, with a sportive laugh, runs to her and fondles in her lap; then, turning to its mother, seems anxious to divide its affections between them. Its features resembled Franconia's-the similarity was unmistakeable; and although she fondled it, talked with it, and smoothed its little locks, she resisted its attempts to climb on her knee: she was cold. "Mother says I look like you, and so does old Aunt Rachel, Miss Franconia-they do," whispers the child, shyly, as it twisted its fingers round the rings on Franconia's hand. Franconia blushed, and cast an inquiring look at Clotilda.

you are well cared for

"And me, too,-I would be happier!" Clotilda replies, resting her arms on the back of Franconia's lolling chair, as her eyes assumed a melancholy glare. She heaved a sigh. "You could not be happier than you are; you are well cared for; Uncle will never see you want; but you must be cheerful when I come, Clotilda,-you must! To see you unhappy makes me feel unhappy." "Cheerful!-its better said than felt. Can he or she be cheerful who is forced to sin against God and himself? There is little to be cheerful with, where the nature is not its own. Why should I be the despised wretch at your Uncle's feet: did God, the great God, make me a slave to his licentiousness?" "Suppress such feelings, Clotilda; do not let them get the better of you. God ordains all things: it is well to abide by His will, for it is sinful to be discontented, especially where everything is so well provided. Why, Uncle has learned you to read, and even to write." "Ah! that's just what gave me light; through it I knew that I had a life, and a soul beyond that, as valuable to me as yours is to you." "Be careful, Clotilda," she interrupts; "remember there is a wide difference between us. Do not cross Uncle; he is kind, but he may get a freak into his head, and sell you." Clotilda's cheeks brightened; she frowned at the word, and, giving her black hair a toss from her shoulder, muttered, "To sell me!-Had you measured the depth of pain in that word, Franconia, your lips had never given it utterance. To sell me!-'tis that. The difference is wide indeed, but the point is sharpest. Was it my mother who made that point so sharp? It could not! a mother would not entail such misery on her offspring. That name, so full of associations dear to me-so full of a mother's love and tenderness,-could not reflect pain. Nay; her affections were bestowed upon me,-I love to treasure them, I do. To tell me that a mother would entail misery without an end, is to tell me that the spirit of love is without good!" "Do not make yourself unhappy, Clotilda. Perhaps you are as well with us as you would be elsewhere. Even at the free north, in happy New England, ladies would not take the notice of you we do: many of your class have died there, poor and wretched, among the most miserable creatures ever born to a sad end. And you are not black-"

but I do like to please so

"Come, Dandy," said Marston, addressing himself to the mulatto attendant, "bring a glass; she shall join us." The glass is brought, Marston fills it, she bows, they drink to her and to the buoyant spirits of the noble southern lady. "I don't admire the habit; but I do like to please so," she whispers, and, excusing herself, skips into the parlour on the right, where she is again beset by the old servants, who rush to her, shake her hand, cling playfully to her dress: some present various new-plucked flowers others are become noisy with their chattering jargon. At length she is so beset with the display of their affection as to be compelled to break away from them, and call for Clotilda. "I must have Clotilda!" she says: "Tell her to come soon, Dandy: she alone can arrange my dress." Thus saying, she disappeared up a winding stair leading from the hall into the second story. We were anxious to know who Clotilda was, and why Franconia should summon her with so much solicitude. Presently a door opened: Franconia appeared at the top of the stairs, her face glowing with vivacity, her hair dishevelled waving in beautiful confusion, giving a fascination to her person. "I do wish she would come, I do!" she mutters, resting her hands upon the banisters, and looking intently into the passage: "she thinks more of fussing over Annette's hair, than she does about taking care of mine. Well, I won't get cross-I won't! Poor Clotilda, I do like her; I can't help it; it is no more than natural that she should evince so much solicitude for her child: we would do the same." Scarcely had she uttered these words, when the beautiful female we have described in the foregoing chapter ran from her cabin, across the yard, into the mansion. "Where is young Miss Franconia?" she inquires; looks hastily around, ascends the stairs, greets Franconia with a fervent shake of the hand, commences adjusting her hair. There is a marked similarity in their countenances: it awakens our reflections. Had Clotilda exhibited that exactness of toilet for which Franconia is become celebrated, she would excel in her attractions. There was the same oval face, the same arched brows; there was the same Grecian contour of features, the same sharply lined nose; there was the same delicately cut mouth, disclosing white, pearly teeth; the same eyes, now glowing with sentiment, and again pensive, indicating thought and tenderness; there was the same classically moulded bust, a shoulder slightly converging, of beautiful olive, enriched by a dark mole. Clotilda would fain have kissed Franconia, but she dare not. "Clotilda, you must take good care of me while I make my visit. Only do my hair nicely, and I will see that Uncle gets a new dress for you when he goes to the city. If Uncle would only get married, how much happier it would be," says Franconia, looking at Clotilda the while.

criticising the merits of several old pictures hung upon the walls

The Elder understood the delicate hint, but desiring to avoid placing himself in an awkward position before the Deacon, began to change the conversation, criticising the merits of several old pictures hung upon the walls. They were much valued by Marston, as mementoes of his ancestry: of this the Elder attempted in vain to make a point. During this conversation, so disguised in meaning, the mulatto servant stood at the door waiting Marston's commands. Soon, wine and refreshments were brought in, and spread out in old plantation style. The company had scarcely filled glasses, when a rap sounded at the hall door: a servant hastened to announce a carriage; and in another minute was ushered into the room the graceful figure of a young lady whose sweet and joyous countenance bespoke the absence of care. She was followed by a genteelly-dressed young man of straight person and placid features. "Oh! Franconia," said Marston, rising from his seat, grasping her hand affectionately, and bestowing a kiss on her fair cheek, for it was fair indeed. Taking her right hand in his left, he added, "My niece, gentlemen; my brother's only daughter, and nearly spoiled with attentions." A pleasant smile stole over her face, as gracefully she acknowledged the compliment. In another minute three or four old negroes, moved by the exuberance of their affection for her, gathered about her, contending with anxious faces for the honour of seeing her comfortable. "I love her!" continued Marston; "and, as well as she could a father, she loves me, making time pass pleasantly with her cheerfulness." She was the child of his affections; and as he spoke his face glowed with animation. Scarce seventeen summers had bloomed upon his fair niece, who, though well developed in form, was of a delicate constitution, and had inherited that sensitiveness so peculiar to the child of the South, especially she who has been cradled in the nursery of ease and refinement. As she spoke, smiled, and raised her jewelled fingers, the grace accompanying the words was expressive of love and tenderness. Turning to the gentleman who accompanied her, "My friend!" she added, simply, with a frolicsome laugh. A dozen anxious black faces were now watching in the hall, ready to scamper round her ere she made her appearance to say, "How de'h!" to young Missus, and get a glimpse at her stranger friend. After receiving a happy salute from the old servants, she re-enters the room. "Uncle's always drinking wine when I come;-but Uncle forgets me; he has not so much as once asked me to join him!" She lays her hand on his arm playfully, smiles cunningly, points reproachfully at the Elder, and takes a seat at her uncle's side. The wine has seized the Elder's mind; he stares at her through his spectacles, and holds his glass with his left hand.

You've preached it to them so long

"Quite the reverse," returns Marston, suddenly smiling, and, placing his elbows on the table, rests his face on his hands. "Religion is well in its place, good on simple minds; just the thing to keep vassals in their places: that's why I pay to have it talked to my property. Elder, I get the worth of my money in seeing the excitement my fellows get into by hearing you preach that old worn-out sermon. You've preached it to them so long, they have got it by heart. Only impress the rascals that it's God's will they should labour for a life, and they'll stick to it like Trojans: they are just like pigs, sir." "You don't comprehend me, my friend Marston: I mean that you should prepare-it's a rule applicable to all-to meet the terrible that may come upon us at any moment." The Elder is fearful that he is not quite explicit enough. He continues: "Well, there is something to be considered;"-he is not quite certain that we should curtail the pleasures of this life by binding ourselves with the dread of what is to come. "Seems as if we owed a common duty to ourselves," he ejaculates. The conversation became more exciting, Marston facetiously attempting to be humorous at the Elder's expense: "It isn't the pleasure, my dear fellow, it's the contentment. We were all born to an end; and if that end be to labour through life for others, it must be right. Everything is right that custom has established right." "Marston, give us your hand, my friend. 'Twould do to plead so if we had no enemies, but enemies are upon us, watching our movements through partizans' eyes, full of fierceness, and evil to misconstruct." "I care not," interrupts Marston. "My slaves are my property-I shall do with them as it pleases me; no insinuations about morality, or I shall mark you on an old score. Do you sound? Good Elders should be good men; but they, as well as planters, have their frailties; it would not do to tell them all, lest high heaven should cry out." Marston points his finger, and laughs heartily. "I wish we had seven lives to live, and they were all as happy as most of our planters could desire to make them."

places chairs around it

"Come, gentlemen guests, you are as welcome as the showers," says Marston, in a stentorious voice: "Be seated; you are at home under my roof. Yes, the hospitality of my plantation is at your service." The yellow man removes a table that stood in the centre of the room, places chairs around it, and each takes his seat. "Pardon me, my dear Marston, you live with the comfort of a nabob. Wealth seems to spring up on all sides," returns the Deacon, good-naturedly. "And so I think," joins the Elder: "the pleasures of the plantation are manifold, swimming along from day to day; but I fear there is one thing our friend has not yet considered." "Pray what is that? Let us hear it; let us hear it. Perhaps it is the very piety of nonsense," rejoined Marston, quickly. "Dead men and devils are always haunting us." The Elder draws his spectacles from his pocket, wipes them with his silk handkerchief, adjusts them on his nose, and replies with some effort, "The Future." "Nothing more?" Marston inquires, quaintly: "Never contented; riches all around us, favourable prospects for the next crop, prices stiff, markets good, advices from abroad exciting. Let the future take care of itself; you are like all preachers, Elder, borrowing darkness when you can't see light." "The Elder, so full of allegory!" whispers the Deacon. "He means a moral condition, which we all esteem as a source of riches laid up in store for the future." "I discover; but it never troubles me while I take care of others. I pray for my negro property-pray loudly and long. And then, their piety is a charge of great magnitude; but when I need your assistance in looking after it, be assured you will receive an extra fee." "That's personal-personal, decidedly personal."

About his neck is an enormous shirt collar

Times are prosperous; the plantation puts forth its bounties, and Marston withholds nothing that can make time pass pleasantly with those who honour him with a visit. He is dressed in an elaborately cut black coat, with sweeping skirts, a white vest, fancy-coloured pantaloons, and bright boots. About his neck is an enormous shirt collar, turned carelessly over, and secured with a plain black ribbon. Elder Praiseworthy is of lean figure, with sharp, craven features. The people of the parish have a doubtful opinion of him. Some say he will preach sermons setting forth the divine right of slavery, or any other institution that has freedom for its foe, provided always there is no lack of pay. As a divine, he is particularly sensitive lest anything should be said disparagingly against the institution he lends his aid to protect. That all institutions founded in patriarchal usage are of God's creation, he holds to be indisputable; and that working for their overthrow is a great crime, as well as an unpardonable sin, he never had the slightest doubt. He is careful of his clerical dress, which is of smoothest black; and remembering how essential are gold-framed spectacles, arranges and re-arranges his with greatest care. He is a great admirer of large books with gilt edges and very expensive bindings. They show to best advantage in the southern parlour library, where books are rarely opened. To say the Elder is not a man of great parts, is to circulate a libel of the first magnitude. Indeed, he liked big books for their solidity; they reminded him of great thoughts well preserved, and sound principles more firmly established. At times he had thought they were like modern democratic rights, linked to huge comprehending faculties, such as was his good fortune to use when expounding state rights and federal obligations. Deacon Rosebrook is a comely, fair-faced man, a moderate thinker, a charitable Christian, a very good man, who lets his deeds of kindness speak of him. He is not a politician-no! he is a better quality of man, has filled higher stations. Nor is he of the modernly pious-that is, as piety professes itself in our democratic world, where men use it more as a necessary appliance to subdue the mind than a means to improve civilization. But he was always cautious in giving expression to his sentiments, knowing the delicate sensibilities of those he had to deal with, and fearing lest he might spring a democratic mine of very illiberal indignation.

company in the morning

A large open fire-place, with fancifully carved framework and mantel-pieces, in Italian marble of polished blackness, upon which stood massive silver candlesticks, in chased work, denotes the ancient character of the mansion. It has many years been the home of the ever-hospitable Marston family. In another part of the room is a mahogany side-board of antique pattern, upon which stand sundry bottles and glasses, indicative of Marston having entertained company in the morning. While we are contemplating the furniture around us, and somewhat disappointed at the want of taste displayed in its arrangement, the door opens, and Sam, the yellow servant, bows Marston in with a gracious smile. It is in the south where the polite part is played by the negro. Deacon Rosebrook and Elder Pemberton Praiseworthy, a man of the world, follow Marston into the room. Marston is rather tall of figure, robust, and frank of countenance. A florid face, and an extremely large nose bordering on the red, at times give him an aldermanic air. He rubs his fingers through the short, sandy-coloured hair that bristles over a low forehead (Tom, the barber, has just fritted it) smiles, and introduces us to his friends. He is vain-vanity belongs to the slave world-is sorry his eyes are grey, but adds an assurance every now and then that his blood is of the very best stock. Lest a doubt should hang upon our mind, he asserts, with great confidence, that grey eyes indicate pure Norman birth. As for phrenology! he never believed in a single bump, and cites his own contracted forehead as the very strongest proof against the theory. Indeed, there is nothing remarkable in our host's countenance, if we except its floridness; but a blunt nose protruding over a wide mouth and flat chin gives the contour of his face an expression not the most prepossessing. He has been heard to say, "A man who didn't love himself wasn't worth loving:" and, to show his belief in this principle of nature, he adorns his face with thick red whiskers, not the most pleasing to those unaccustomed to the hairy follies of a fashionable southron.

she retains the name of her ancient sire

Playful, and even mischievous, he delights in pulling the hair which curls over his head; and when the woman calls him he answers with a childish heedlessness, and runs for the door. Reader! this woman's name is Ellen Juvarna; she has youth on her side, and though she retains the name of her ancient sire, is proud of being master's mistress. She tells us how comfortable she is; how Nicholas, for such is his name, resembles his father, how he loves him, but how he fails to acknowledge him. A feud, with its consequences, is kept up between the two cabins; and while she makes many insinuations about her rival, tells us she knows her features have few charms. Meanwhile, she assures us that neither good looks nor sweet smiles make good mothers. "Nicholas!" she exclaims, "come here; the gentlemen want to know all about papa." And, as she extends her hand, the child answers the summons, runs across the room, fondles his head in his mother's lap,-seems ashamed! Chapter 2 How A Night Was Spent On Marston's Plantation EARTH is mantled with richest verdure; far away to the west and south of the mansion the scene stretches out in calm grandeur. The sun sinks beneath glowing clouds that crimson the horizon and spread refulgent shadows on the distant hills, as darkness slowly steals its way on the mellow landscape. Motley groups of negroes are returned from the field, fires are lighted in and about the cabins, and men mutter their curious jargon while moving to prepare the coarse meal. Their anxious countenances form a picture wild and deeply interesting. Entering Marston's mansion, we find its interior neater than its weather-stained and paintless sides portended. Through the centre runs a broad passage, and on the left and right are large parlours, comfortably furnished, divided by folding doors of carved walnut. We are ushered into the one on the right by a yellow servant, who, neatly dressed in black, has prepared his politeness for the occasion. With great suavity, accompanied by a figurative grin, he informs us that master will pay his respects presently. Pieces of singularly antique furniture are arranged round the room, of which, he adds, master is proud indeed. Two plaster figures, standing in dingy niches, he tells us are wonders of the white man's genius. In his own random style he gives us an essay on the arts, adding a word here and there to remind us of master's exquisite taste, and anxiously waits our confirmation of what he says.

They are the symbols of her inward soul

How reserved she seems, and yet how quickly she moves her graceful figure! Now she places her right hand upon her finely-arched forehead, parts the heavy folds of glossy hair that hang carelessly over her brown shoulders, and with a half-suppressed smile answers our salutation. We are welcome in her humble cabin; but her dark, languishing eyes, so full of intensity, watch us with irresistible suspicion. They are the symbols of her inward soul; they speak through that melancholy pervading her countenance! The deep purple of her cheek is softened by it, while it adds to her face that calm beauty which moves the gentle of our nature. How like a woman born to fill a loftier sphere than that to which a cruel law subjects her, she seems! Neither a field nor a house servant, the uninitiated may be at a loss to know what sphere on the plantation is her's? She is the mother of Annette, a little girl of remarkable beauty, sitting at her side, playing with her left hand. Annette is fair, has light auburn hair-not the first tinge of her mother's olive invades her features. Her little cheerful face is lit up with a smile, and while toying with the rings on her mother's fingers, asks questions that person does not seem inclined to answer. Vivacious and sprightly, she chatters and lisps until we become eager for her history. "It's only a child's history," some would say. But the mother displays so much fondness for it; and yet we become more and more excited by the strange manner in which she tries to suppress an outward display of her feelings. At times she pats it gently on the head, runs her hands through its hair, and twists the ends into tiny ringlets. In the next cabin we meet the shortish figure of a tawny female, whose Indian features stand boldly out. Her high cheek bones, long glossy black hair, and flashing eyes, are the indexes of her pedigree. "My master says I am a slave:" in broken accents she answers our question. As she sits in her chair near the fire-place of bricks, a male issue of the mixed blood toddles round and round her, tossing her long coarse hair every time he makes a circut. The little boy is much fairer than the brawny daughter who seems his mother.

He rose and went to the door

"Would you say," continued the smooth voice of the other, "that these might be mistaken for your work?" "Nobody would know the difference. It's robbery of the rankest kind. But it's infernally clever." "I'm not going to quarrel with you over a definition, Mr. Banneker," said Marrineal. He leaned a little forward with a smile so frank and friendly that it quite astonished the other. "And I'm not going to let you go, either," he pursued. "You need me and I need you. I'm not fool enough to suppose that the imitation can ever continue to be as good as the real thing. We'll make it a fifty thousand guarantee, if you say so. And, as for your editorial policy--well, I'll take a chance on your seeing reason. After all, there's plenty of earth to prance on without always treading on people's toes.... Well, don't decide now. Take your time to it." He rose and went to the door. There he turned, flapping the loose imitations in his hands. "Banneker," he said chuckling, "aren't they really dam' good!" and vanished. In that moment Banneker felt a surge of the first real liking he had ever known for his employer. Marrineal had been purely human for a flash. Nevertheless, in the first revulsion after the proprietor had left, Banneker's unconquered independence rose within him, jealous and clamant. He felt repressions, claims, interferences potentially closing in upon his pen, also an undefined dread of the sharply revealed overseer. That a force other than his own mind and convictions should exert pressure, even if unsuccessful, upon his writings, was intolerable. Better anything than that. The Mid-West Syndicate, he knew, would leave him absolutely untrammeled. He would write the general director at once. In the act of beginning the letter, the thought struck and stunned him that this would mean leaving New York. Going to live in a Middle-Western city, a thousand miles outside of the orbit in which moved Io Eyre! He left the letter unfinished, and the issue to the fates. Part 3 Chapter 6 Put to the direct question, as, for example, on the witness stand, Mr. Ely Ives would, before his connection with Tertius Marrineal, have probably identified himself as a press-agent. In that capacity he had acted, from time to time, for a railroad with many axes to grind, a widespread stock-gambling enterprise, a minor political ring, a liquor combination, and a millionaire widow from the West who innocently believed that publicity, as manipulated by Mr. Ives, could gain social prestige for her in the East.

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I hold to the old status

"Precisely what I fear." Banneker had been making some swift calculations on his desk-blotter. Now he took up a blue pencil and with a gesture, significant and not without dramatic effect, struck it down through the reckoning. "No, Mr. Marrineal. It isn't good enough. I hold to the old status. When our contract is out--" "Just a moment, Mr. Banneker. Isn't there a French proverb, something about no man being as indispensable as he thinks?" Marrineal's voice was never more suave and friendly. "Before you make any final decision, look these over." He produced from his pocket half a dozen of what appeared to be Patriot editorial clippings. The editor of The Patriot glanced rapidly through them. A puzzled frown appeared on his face. "When did I write these?" "You didn't." "Who did?" "I" "They're dam' good." "Aren't they!" "Also, they're dam' thievery." "Doubtless you mean flattery. In its sincerest form. Imitation." "Perfect. I could believe I'd written them myself." "Yes; I've been a very careful student of The Patriot's editorial style." "The Patriot's! Mine!" "Surely not. You would hardly contend seriously that, having paid the longest price on record for the editorials, The Patriot has not a vested right in them and their style." "I see," said Banneker thoughtfully. Inwardly he cursed himself for the worst kind of a fool; the fool who underestimates the caliber of his opponent.

your percentage might easily rise above your

"The policy is established and successful, thanks largely to you. I would be the last to deny it." "What do you reckon as my probable income under the proposed arrangement?" "Of course," answered the proprietor apologetically, "it would be somewhat reduced this year. If our advertising revenue increases, as it naturally should, your percentage might easily rise above your earnings under the old arrangement." "I see," commented Banneker thoughtfully. "You propose to make it worth my while to walk warily. As the pussy foots it, so to speak." "I ask you to recognize the fairness of the proposition that you conduct your column in the best interests of the concern--which, under the new arrangement, would also be your own best interests." "Clear. Limpidly clear," murmured Banneker. "And if I decline the new basis, what is the alternative?" "Cut down circulation, and with it, loss." "And the other, the real alternative?" queried the imperturbable Banneker. Marrineal smiled, with a touch of appeal in his expression. "Frankness is best, isn't it?" propounded the editor. "I don't believe, Mr. Marrineal, that this paper can get along without me. It has become too completely identified with my editorial idea. On the other hand, I can get along without it." "By accepting the offer of the Mid-West Evening Syndicate, beginning at forty thousand a year?" "You're well posted," said Banneker, startled. "Of necessity. What would you suppose?" "Your information is fairly accurate." "I'm prepared to make you a guarantee of forty thousand, as a minimum." "I shall make nearer sixty than fifty this year." "At the expense of a possible loss to the paper. Come, Mr. Banneker; the fairness of my offer is evident. A generous guarantee, and a brilliant chance of future profits." "_And_ a free hand with my editorials?" "Surely that will arrange itself."

I can't see your basis

"They pay your salary," Marrineal pointed out. "Not mine," said Banneker vigorously. "The paper pays my salary." "Without the support of the very advertisers that you are attacking, it couldn't continue to pay it. Yet you decline to admit any responsibility to them." "Absolutely. To them or for them." "I confess I can't see your basis," said the reasonable Marrineal. "Considering what you have received in income from the paper--" "I have worked for it." "Admitted. But that you should absorb practically all the profits--isn't that a little lopsided, Mr. Banneker?" "What is your proposition, Mr. Marrineal?" Marrineal put his long, delicate fingers together, tip to tip before his face, and appeared to be carefully reckoning them up. About the time when he might reasonably have been expected to have audited the total and found it to be the correct eight with two supplementary thumbs, he ejaculated: "Cooeperation." "Between the editorial page and the advertising department?" "Perhaps I should have said profit-sharing. I propose that in lieu of our present arrangement, based upon a percentage on a circulation which is actually becoming a liability instead of an asset, we should reckon your salary on a basis of the paper's net earnings." As Banneker, sitting with thoughtful eyes fixed upon him, made no comment, he added: "To show that I do not underestimate your value to the paper, I propose to pay you fifteen per cent of the net earnings for the next three years. By the way, it won't be necessary hereafter, for you to give any time to the news or Sunday features." "No. You've got out of me about all you could on that side," observed Banneker.

copy of diamond dealers

"No." Early in Banneker's editorship it had been agreed that he should keep free of any business or advertising complications. Experience and the warnings of Russell Edmonds had told him that the only course of editorial independence lay in totally ignoring the effect of what he might write upon the profits and prejudices of the advertisers, who were, of course, the principal support of the paper. Furthermore, Banneker heartily despised about half of the advertising which the paper carried; dubious financial proffers, flamboyant mercantile copy of diamond dealers, cheap tailors, installment furniture profiteers, the lure of loan sharks and race-track tipsters, and the specious and deadly fallacies of the medical quacks. Appealing as it did to an ignorant and "easy" class of the public ("Banneker's First-Readers," Russell Edmonds was wont to call them), The Patriot offered a profitable field for all the pitfall-setters of print. The less that Banneker knew about them the more comfortable would he be. So he turned his face away from those columns. The negative which he returned to Marrineal's question was no more or less than that astute gentleman expected. "We carried an editorial last week on cigarettes, 'There's a Yellow Stain on Your Boy's Fingers--Is There Another on his Character?'" "Yes. It is still bringing in letters." "It is. Letters of protest." "From the tobacco people?" "Exactly. Mr. Banneker, don't you regard tobacco as a legitimate article of use?" "Oh, entirely. Couldn't do without it, myself." "Why attack it, then, in your column?" "Because my column," answered Banneker with perceptible emphasis on the possessive, "doesn't believe that cigarettes are good for boys." "Nobody does. But the effect of your editorial is to play into the hands of the anti-tobacco people. It's an indiscriminate onslaught on all tobacco. That's the effect of it." "Possibly." "And the result is that the tobacco people are threatening to cut us off from their new advertising appropriation." "Out of my department," said Banneker calmly. Marrineal was a patient man. He pursued. "You have offended the medical advertisers by your support of the so-called Honest Label Bill." "It's a good bill." "Nearly a quarter of our advertising revenue is from the patent-medicine people." "Mostly swindlers."

tell you that the paper is a success

But Tertius Marrineal and his business manager, a shrewd and practical gentleman named Haring, had done a vast deal of expert figuring, as a result of which the owner strolled into his editor's office one noon with his casual air of having nothing else to do, and pleasantly inquired: "Busy?" "If I weren't, I wouldn't be worth much," returned Banneker, in a cheerful tone. "Well, if you can spare me fifteen minutes--" "Sit down." Banneker swiveled his chair to face the other. "I needn't tell you that the paper is a success; a big success," began Marrineal. "You needn't. But it's always pleasant to hear." "Possibly too big a success. What would you say to letting circulation drop for a while?" "What!" Banneker felt a momentary queer sensation near the pit of his stomach. If the circulation dropped, his income followed it. But could Marrineal be serious? "The fact is we've reached the point where more circulation is a luxury. We're printing an enormous paper, and wood-pulp prices are going up. If we could raise our advertising rates;--but Mr. Haring thinks that three raises a year is all the traffic will bear. The fact is, Mr. Banneker, that the paper isn't making money. We've run ahead of ourselves. You're swallowing all the profits." Banneker's inner voice said warningly to Banneker, "So that's it." Banneker's outer voice said nothing. "Then there's the matter of advertising. Your policy is not helping us much there." "The advertising is increasing." "Not in proportion to circulation. Nothing like." "If the proper ratio isn't maintained, that is the concern of the advertising department, isn't it?" "Very much the concern. Will you talk with Mr. Haring about it?"

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it was because he felt no need of them

Life was broadening out before Banneker into new and golden persuasions. He had become a person of consequence, a force to be reckoned with, in the great, unheeding city. By sheer resolute thinking and planning, expressed and fulfilled in unsparing labor, he had made opportunity lead to opportunity until his position was won. He was courted, sought after, accepted by representative people of every sort, their interest and liking answering to his broad but fine catholicity of taste in human relationships. If he had no intimates other than Russell Edmonds, it was because he felt no need of them. He had found Io again. Prophecies had all failed in the matter of his rise. He thought, with pardonable exultation, of how he had confuted them, one after another. Cressey had doubted that one could be at the same time a successful journalist and a gentleman; Horace Vanney had deemed individuality inconsistent with newspaper writing; Tommy Burt and other jejune pessimists of the craft had declared genuine honesty incompatible with the higher and more authoritative phases of the profession. Almost without set plan and by an inevitable progress, as it now seemed to him, he had risen to the most conspicuous, if not yet the most important, position on Park Row, and had suffered no conscious compromise of standards, whether of self-respect, self-assertion, or honor. Had he ever allowed monetary considerations seriously to concern him, he might have been troubled by an untoward and not easily explicable phenomenon. His bank account consistently failed to increase in ratio to his earnings. In fact, what with tempting investments, the importunities of a highly luxurious taste in life hitherto unsuspected, and an occasional gambling flyer, his balance was precarious, so to speak. With the happy optimism of one to whom the rosy present casts an intensified glow upon the future, he confidently anticipated a greatly and steadily augmented income, since the circulation of The Patriot was now the terror of its rivals. That any radical alteration could be made in his method of recompense did not occur to him. So completely had he identified himself with The Patriot that he subconsciously regarded himself as essential to its prosperity if not to its actual existence. Therein he was supported by all the expert opinion of Park Row. Already he had accepted one modification of his contract, and his takings for new circulation were now twenty-five cents per unit per year instead of fifty cents as formerly.

It calls forth all our native genius

Even the platitudinous Bland had his practical inspirations; if they had not been practical, they would not have been Bland's. One of these was an analysis of the national business character. "We Americans," he wrote, "are natural merchandisers. We care less for the making of a thing than for the selling of it. Salesmanship is the great American game. It calls forth all our native genius; it is the expression of our originality, our inventiveness, our ingenuity, our idealism," and so on, for a full column slathered with deadly and self-betraying encomiums. For the Reverend Bland believed heartily that the market was the highest test of humankind. _He_ would rather sell a thing than make it! In fact, anything made with any other purpose than to sell would probably not be successful, and would fail to make its author prosperous; therefore it must be wrong. Not the creator, but the salesman was the modern evangel. "The Booblewarbler has given away the game," commented Severance with his slight, ironic smile, the day when this naive effusion appeared. "He's right, of course. But he thinks he's praising when he's damning." Banneker was disturbed. But the flood of letters which came in promptly reassured him. The Reverend editorializer was hailed broadcast as the Messiah of the holy creed of Salesmanship, of the high cult of getting rid of something for more than it is worth. He was organized into a lecture tour; his department in the paper waxed ever greater. Banneker, with his swift appreciation of a hit, followed the lead with editorials; hired authors to write short stories glorifying the ennobled figure of the Salesman, his smartness, his strategy, his ruthless trickery, his success. And the salesmanhood of the nation, in trains, in hotel lobbies, at the breakfast table with its Patriot propped up flanking the egg and coffee, rose up to call him blessed and to add to his income. Personal experiences in achieving success were a logical sequence to this; success in any field, from running a city as set forth by His Honor the Mayor, to becoming a movie star, by all the movie stars or aspirants whom their press-agents could crowd into the paper. A distinguished novelist of notably high blood-pressure contributed a series of thoughtful essays on "How to be Irresistible in Love," and a sentimental pugilist indulged in reminiscences (per a hired pen from the cheap magazine field) upon "The Influence of my Mother on my Career." An imitator of Banneker developed a daily half-column of self-improvement and inspiration upon moral topics, achieving his effects by capitalizing all the words which otherwise would have been too feeble or banal to attract notice, thereby giving an air of sublimated importance to the mildly incomprehensible.

But that portion of the page not taken up by his

But the editorial page was still peculiarly his own, and with that clarity of view which he never permitted personal considerations to prejudice, Banneker perceived that it was falling below pitch. Or, rather, that, while it remained static, the rest of the paper, under the stimulus of Severance, Capron, Sheffer, and, in the background but increasingly though subtly assertive, Marrineal, had raised its level of excitation. Change his editorials he would not. Nor was there need; the response to them was too widespread and fervent, their following too blindly fanatic, the opposition roused by them too furious to permit of any doubt as to their effectiveness. But that portion of the page not taken up by his writings and the cartoon (which was often based upon an idea supplied by him), was susceptible of alteration, of keying-up. Casting about him for the popular note, the circus appeal, he started a "signed-article" department of editorial contributions to which he invited any and all persons of prominence in whatever line. The lure of that universal egotism which loves to see itself in the public eye secured a surprising number of names. Propagandists were quick to appreciate the opportunity of The Patriot's wide circulation for furthering their designs, selfish or altruistic. To such desirables as could not be caught by other lures, Banneker offered generous payment. It was on this latter basis that he secured a prize, in the person of the Reverend George Bland, ex-revivalist, ex-author of pious stories for the young, skilled dealer in truisms, in wordy platitudes couched largely in plagiarized language from the poets and essayists, in all the pseudo-religious slickeries wherewith men's souls are so easily lulled into self-satisfaction. The Good, the True, the Beautiful; these were his texts, but the real god of his worship was Success. This, under the guise of Duty ("man's God-inspired ambition to be true to his best possibilities"), he preached day in and day out through his "Daily Help" in The Patriot: Be guided by me and you will be good: Be good and you will be prosperous: Be prosperous and you will be happy. On an adjoining page there were other and far more specific instructions as to how to be prosperous and happy, by backing Speedfoot at 10 to 1 in the first race, or Flashaway at 5 to 2 in the third. Sometimes the Reverend Bland inveighed convincingly against the evils of betting. Yet a cynic might guess that the tipsters' recipes for being prosperous and happy (and therefore, by a logical inversion, good) were perhaps as well based and practical as the reverend moralist's. His correspondence, surest indication of editorial following, grew to be almost as large as Banneker's. Severance nicknamed him "the Oracle of Boobs," and for short he became known as the "Booblewarbler," for there were times when he burst into verse, strongly reminiscent of the older hymnals. This he resented hotly and genuinely, for he was quite sincere; as sincere as Sheffer, in his belief in himself. But he despised Sheffer and feared Severance, not for what the latter represented, but for the cynical honesty of his attitude. In retort for Severance's stab, he dubbed the pair Mephistopheles and Falstaff, which was above his usual felicitousness of characterization. Sheffer (who read Shakespeare to improve his mind, and for ideas!) was rather flattered.

it's advertising that the stuff will bring in

"Smeared across the top of a page it'll make a business man laugh as hard as a kid. I know business men. I was one, myself. Sold bar fixtures on the road for four years. And my best selling method was the laughs I got out of 'em. Used to take a bit of chalk and do sketches on the table-tops. So I know what makes 'em laugh. Belly-laughs. You make a business man laugh that way, and you get his business. It ain't circulation alone; it's advertising that the stuff will bring in. Eh?" "What do you think, Mr. Banneker?" asked Severance. "It's worth trying," decided Banneker after thought. "You don't think so, do you, Pop?" "Oh, go ahead!" returned Edmonds, spewing forth a mouthful of smoke as if to expel a bad taste. "What's larceny among friends?" "But we're not taking anything of value, since there's no copyright and any one can grab it," pointed out the smooth Severance. Thus there entered into the high-tension atmosphere of the sensationalized Patriot the relaxing quality of humor. Under the ingenuous and acquisitive Sheffer, whose twins achieved immediate popularity, it developed along other lines. Sheffer--who knew what makes business men laugh--pinned his simple faith to three main subjects, convulsive of the diaphragmatic muscles, building up each series upon the inherent humor to be extracted from physical violence as represented in the perpetrations and punishments of Ruff and Reddy, marital infidelity as mirrored in the stratagems and errancies of an amorous ape with an aged and jealous spouse, and the sure-fire familiarity of aged minstrel jokes (mother-in-law, country constable, young married cookery, and the like) refurbished in pictorial serials through the agency of two uproarious and imbecilic vulgarians, Bonehead and Buttinsky. Children cried for them, and laughed to exhaustion over them. Not less did the mentally exhausted business man writhe abdominally over their appeal. Spread across the top of three pages they wrung the profitable belly-laugh from growing thousands of new readers. If Banneker sometimes had misgivings that the educational influence of The Patriot was not notably improved by all this instigation of crime and immorality made subject for mirth in the mind of developing youth, he stifled them in the thought of increased reading public for his own columns. Furthermore, it was not his newspaper, anyway.

which he had set in a corner

"The anatomy of anti-melancholy," murmured Severance. "Valuable." "You're right, it's valuable," declared its proponent. "It's money; that's what it is. Watch 'em at the movies. When their bellies begin to shake, the picture's got 'em." "How would you produce this desirable effect?" asked Severance. "No trouble to show goods. I'm dealing with gents, I know. This is all under your shirt for the present, if you don't take up the scheme." From a portfolio which he had set in a corner he produced a sheaf of drawings. They depicted the adventures, mischievous, predatory, or criminal, of a pair of young hopefuls whose physiognomies and postures were genuinely ludicrous. "Did you draw these?" asked Banneker in surprise, for the draughtsmanship was expert. "No. Hired a kid artist to do 'em. I furnished the idea." "Oh, you furnished the idea, did you?" queried Edmonds. "And where did you get it?" With an ineffably satisfied air, Mr. Sheffer tapped his bullet head. "You must be older than you look, then. Those figures of the kids are redrawn from a last-century German humorous classic, 'Max und Moritz.' I used to be crazy over it when I was a youngster. My grandfather brought it to me from Europe, and made a translation for us youngsters." "Sure! Those pictures'd make a reformer laugh. I picked up the book in German on an Ann Street sidewalk stand, caught the Big Idea right then and there; to Americanize the stuff and--" "For 'Americanize,' read 'steal,'" commented Edmonds. "There ain't no thin' crooked in this," protested the other with sincerity. "The stuff ain't copyrighted here. I looked that up particularly." "Quite true, I believe," confirmed Severance. "It's an open field." "I got ten series mapped out to start. Call 'em 'The Trouble-hunter Twins, Ruff and Reddy.' If they catch on, the artist and me can keep 'em goin' forever. And they'll catch." "I believe they will," said Severance.

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bespectacled apparition who

Out of conscious nothing, as represented by the now moribund News, there was provoked one evening a large, round, middle-aged, smiling, bespectacled apparition who named himself as Rudy Sheffer and invited himself to a job. Marrineal had sent him to Severance, and Severance, ever tactful, had brought him to Banneker. Russell Edmonds being called in, the three sat in judgment upon the Big Idea which Mr. Sheffer had brought with him and which was: "Give 'em a laugh." "The potentialities of humor as a circulation agency," opined Severance in his smoothest academic voice, "have never been properly exploited." "A laugh on every page where there ain't a thrill," pursued Sheffer confidently. "You find some of our pages dull?" asked Banneker, always interested in any new view. "Well, your market page ain't no scream. You gotta admit it." "People don't usually want to laugh when they're studying the stock market," growled Edmonds. "Surprise 'em, then. Give 'em a jab in the ribs and see how they like it. Pictures. Real comics. Anywhere in the paper that there's room for 'em." "There's always a cartoon on the editorial page," pointed out Banneker. "Cartoon? What does that get you? A cartoon's an editorial, ain't it?" Russell Edmonds shot a side glance at Banneker, meaning: "This is no fool. Watch him." "Makes 'em think, don't it?" pursued the visitor. "If it tickles 'em, that's on the side. It gets after their minds, makes 'em work for what they get. That's an effort. See?" "All right. What's your aim?" "Not their brains. I leave that to Mr. Banneker's editorials. I'm after the laugh that starts down here." He laid hand upon his rotund waistcoat. "The belly-laugh."

who had been transferred to the regular payroll

"Quite so! You lure them into the dive where I wait to preach them a sermon." After that conversation Banneker definitely decided that Severance's activities must be curbed. But when he set about it, he suffered an unpleasant surprise. Marrineal, thoroughly apprised of the new man's activities (as he was, by some occult means of his own, of everything going on in the office), stood fast by the successful method, and let Banneker know, tactfully but unmistakably, that Severance, who had been transferred to the regular payroll at a highly satisfactory figure, was to have a free hand. So the ex-religious editor continued to stroll leisurely through his unauthoritative and influential routine, contributing his commentary upon the news as it flowed in. He would saunter over to the make-up man's clotted desk, run his eye over the dummy of the morrow's issue, and inquire; "Wasn't there a shooting scrape over a woman in a big West-Side apartment?... Being kept by the chap that was shot, wasn't she?... Oh, a bank clerk?... Well, that's a pretty dull-looking seventh page. Why not lift this text of the new Suburban Railways Bill and spread the shooting across three columns? Get Sanderson to work out a diagram and do one of his filmy line drawings of the girl lying on the couch. And let's be sure to get the word 'Banker' into the top head." Or he would deliver a practical lecture from a text picked out of what to a less keen-scented news-hound might have appeared an unpromising subject. "Can't we round out that disappearance story a little; the suburban woman who hasn't been seen since she went to New York three days ago? Get Capron to fake up a picture of the home with the three children in it grouped around Bereaved Husband, and--here, how would something like this do for caption: '"Mamma, Mamma! Come Back!" Sob Tiny Tots.' The human touch. Nothing like a bit of slush to catch the women. And we've been going a little shy on sentiment lately." The "human touch," though it became an office joke, also took its place as an unwritten law. Severance's calm and impersonal cynicism was transmuted into a genuine enthusiasm among the copy-readers. Headlining took on a new interest, whetted by the establishment of a weekly prize for the most attractive caption. Maximum of sensationalism was the invariable test.

I'm not fooled by the sentimentalism of

Severance bestowed upon the other his well-bred and delicate smile. "Exactly my principle. I'm for drawing the line every issue and on every page, if there's room for it. '_Nulla dies sine linea_.' The line of appeal to the sensations, whether it's a pretty face or a caption that jumps out and grabs you by the eye. I want to make 'em gloat." "I see. You were in earnest more or less when in our first talk, you defined your profession." Severance waved a graceful hand. "Prostitution is the profession of all successful journalism which looks at itself honestly. Why not play the pander frankly?--among ourselves, of course. Perhaps I'm offending you, Mr. Banneker." "You're interesting me. But, 'among ourselves' you say. You're not a newspaper man; you haven't the traditions." "Therefore I haven't the blind spots. I'm not fooled by the sentimentalism of the profession or the sniveling claims of being an apostle of public enlightenment. If enlightenment pays, all very well. But it's circulation, not illumination, that's the prime desideratum. Frankly, I'd feed the public gut with all it can and will stand." "Even to the extent of keeping the Tallman divorce scandal on the front page for a week consecutively. You won't pretend that, as news, it's worth it." "Give me a definition of news," retorted the expert. "The Tallman story won't alter the history of the world. But it has its--well, its specialized value for our purposes." "You mean," said Banneker, deliberately stimulating his own growing nausea, "that it makes the public's mind itch." "It's a pretty filthy and scabby sort of animal, the public, Mr. Banneker. We're not trying to reform its morals in our news columns, I take it." "No. No; we're not. Still--" "That's the province of your editorials," went on the apostle of titillation smoothly. "You may in time even educate them up to a standard of decency where they won't demand the sort of thing we're giving them now. But our present business with the news columns is to catch them for you to educate."